Interiors are harder to photograph than exteriors and are usually given less time. Mixed lighting, tight sightlines and finishes that read completely differently on camera than in the room.
The work is in the balance: getting daylight, specified lighting and the actual colour of a finish to coexist in one frame without the scheme looking like a different palette.
Styling matters and is often skipped. A room photographed exactly as handed over rarely reads as designed, so we plan the styling pass into the shoot rather than treating it as an afterthought.
Our Noir Matière work is representative: a scheme built on restraint and material expression, where the photography had to hold back to let the room do the talking.