Events are unrepeatable. Coverage has to be planned like a production but executed without a second take, and delivered while the event still matters.
Cultural institutions, biennales and public programmes.
Conference and exhibition organisers needing coverage for press and next year's marketing.
Corporate programmes, launches and award ceremonies.
We plan against the run of show, so the moments that matter are covered by someone in the right position rather than caught by luck.
Turnaround is part of the brief. Coverage that arrives a week later has missed most of its value, so same-day and next-day selects are planned in.
Cultural events need coverage that respects the work on show. We have documented public art and cultural programming including Noor Riyadh and the Tuwaiq Sculpture programme, where the brief is as much about the installations and the audience as about the ceremony.
For conferences and exhibitions the requirement is comprehensive but selective: keynote and stage coverage, delegates and networking, stand and exhibition detail, and the sponsor obligations that have to be evidenced.
We plan crew numbers against the venue and the programme rather than a flat day rate, because a multi-stage conference and a single-room launch are not the same job.
We take event coverage commissions across the United Arab Emirates, including Dubai, Abu Dhabi, Sharjah and Ras Al Khaimah, and across Saudi Arabia, including Riyadh, Jeddah, Mecca, Medina, AlUla, NEOM and Diriyah. Travel, permits and local crew are arranged as part of the production.
Same-day selects during the event where that is briefed, with the full edited set following afterwards.
Yes, with crew scaled to the venue and programme rather than a flat day rate.
Yes. We work across both markets, including cultural programmes such as Noor Riyadh and Tuwaiq Sculpture.
Yes. Crew is planned so the two do not compete for the same positions at key moments.